Showing posts with label Monotype Modern Std. Extended. Show all posts
Showing posts with label Monotype Modern Std. Extended. Show all posts

Thursday, October 22, 2009

Logo Project




Visual Message: With my logo I am trying to convey the fact that I work well with other people and am able to do the job assigned, but I’m also creative and can stand out. The letters are my initials to represent me, and they fit together well just like the gears that are part of the “g.” The second gear connects to the middle one, cooperation/teamwork, but the second breaks out of the side of the “g” showing that I can be a stand out worker and a creative thinker outside of the constrains of the situation. I used deeper colors to show a serious and professional tone, but at the same time the color being red shows my enthusiasm and intensity. The first impression should show me to be able, dependable, having potential to grow.

Audience: The audience is a professional employer in either a business/marketing field or else political field. I feel it would work well for either because the message of being able to work a part of a bigger whole transcends a lot of fields. Meant to imply that I can pull my own weight and then some.

Design Strategy: Overall, the design is supposed to be seen as a cohesive unit despite the fact that there are at least four separate parts. The letters and gears work together though in a general flow from left to right, top to bottom. I kept the logo the same across all pieces and used the same fonts, but I did change the placement of my name on all three. On the business card, I rely on the ability of the logo to bring the reader top to bottom and use it and my name to “box in” my information. Slightly different on my stationary, I dropped my name down sideways below the logo mostly out of the utilitarian nature of being able to write a letter. I think is works well though to draw the readers eyes’ down the page. Neither of those designs, however, would work on a envelope so I tucked my name into the gear again to create a frame for my information. I think using Monotype Modern Std. Extended for my name added a distinctive quality since it was a serif and much of the logo is block like. My information on the other hand is in News Gothic MT Bold because I did want it to conform to the basic look of the logo. Being a sans serif I think it fits in well and complements the serif type in my name. the gears remain a consistent theme/backdrop across all three pieces.

Style Sheet:

Stationary Name: Monotype Modern Std. Extended, 30/36, no kerning, tracking 50

Stationary Address and Email: News Gothic MT Bold, 9/10.8, no kerning, no tracking

Business Card Name: Monotype Modern Std. Extended, 18/21.6, no kerning, tracking 60

Business Card Information: News Gothic MT Bold, 8/9.6, no kerning, no tracking

Envelope Name: Monotype Modern Std. Extended, 12/14.4, no kerning, tracking 60

Envelope Address: News Gothic MT Bold, 6/7.2, no kerning, no tracking

Sources and influence: I Google image searched gears but used no one in particular for reference or inspiration. Most were too complicated. In the end, made own gear on Illustrator out of three rectangles and a hexagon.

Extras: I used red to set my logo apart. In business, dark blue with yellow or else dark red are the “power color” combinations. Blue is overused and slightly boring, yellow is tough on the eyes. Red is a strong color that also inspires thoughts of intensity and enthusiasm, both of which I can bring to a job.

Tuesday, September 22, 2009

Ryan Gerhardt Resume Project

I used two serif fonts for my resume. The wordmark and sideways headings are in Monotype Modern Std. Extended and the rest of the text is in some variation of Adobe Jenson Pro. Not having a lot to put on a resume, I thought that this was the best way to fill the white space. Let me know what you think, just don't be too honest. Haha.

Visual Message: The main thing that I was trying to convey through the design of my resume was professionalism. Having little suitable experience meant that I had to convey in a different way my ability to work in a business and professional setting. The wordmark is very large and offset with especially the “R” and “G” being very strong and professional looking, almost like company initials I think. The wordmark also provides a nice frame in which to set the body of my resume. The overall design may be slightly simplistic, but I did not want to clutter the page suggesting that as a potential employee I would have difficulty narrowing my focus.

Audience: As I am not currently sure as to where I would like to work, I tried to create a resume that would be acceptable in most business settings. I am a political science major as well as advertising and I think the professional look of my resume would be suitable for a law firm and government office or even the administrative side of an advertising agency.

Design Strategy: My wordmark creates an instant presence on the page, since there are no immediate words or marks around it. I think the initials of my name create a strong anchor and frame from which the rest of my resume flows out. The initials are also quite heavy, just like the names under my headings, suggesting importance for things such as my job positions and school. The actual headings themselves I feel are less important and only for direction, which is why they are sideways and gray. The two typefaces, Adobe Jenson Pro and Monotype Modern Std. Extended, complement each other very well I feel. Monotype Modern Std. Extended is a little more difficult to read when it is small but is also very professional looking which is why I only used it for the wordmark and headings, being things that are larger font. Adobe Jenson Pro for the body I feel complements very well mostly because stylistically they are similar looking and both serif fonts, but Adobe Jenson Pro is much easier to read as a small font making it more practical.

Style Sheet:

Wordmark Initials: Monotype Modern Std. Extended, 80/96, optical kerning, no tracking

Wordmark body: Monotype Modern Std. Extended, 30/36, optical kerning, tracking +15

Address & E-mail: Adobe Jenson Pro Regular, 11.5/13.8, optical kerning, no tracking

Section Headers: Monotype Modern Std. Extended, 18/21.6, optical kerning, no tracking

Body Headers: Adobe Jenson Pro Bold, 13/13.5, optical kerning, no tracking

Place Names: Adobe Jenson Pro Regular, 13/13.5, optical kerning, no tracking

Dates: Adobe Jenson Pro Italics, 13/13.5, optical kerning, no tracking

College Name: Adobe Jenson Pro Bold, 11.5/13.5, optical kerning, no tracking

Body Text: Adobe Jenson Pro Regular, 11.5/13.5, optical kerning, tracking +20

Document Grid:

Top Margin: 4p2.393

Bottom Margin: 6p2.25

Left Body Margin: 4p8.557

Right Body Margin: 8p9.75